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Discovering the city
 

(The Fortress of Saint Barbara)

 
Aiming to consolidate his power throughout Tuscany, Duke Cosimo I dei Medici pursued a promotional policy of great public works throughout his long reign. Among these projects and for obvious reasons, defense construction was given absolute priority; in fact, in this period, many of the fortresses in the lands belonging to the Tuscan Grand Duchy were built or strengthened. The master architects of these great works included, among others, Giuliano and Antonio da Sangallo (vs35), Giovanbattista Bellucci and Bernardo Buontalenti. These last two were among the most qualified architects in this sector and, in different moments and with different solutions, they were responsible for the Renaissance renovations of the old Pistoian fortress of Santa Barbara. Popular legend which has been accepted by local historians says that in medieval times the fortress - built by the Florentines in the first half of the fourteenth century during the reconstruction of the city walls (vs8), was called San Barnaba because of its vicinity to the Chapel dedicated to that saint. Only later was it given the name of Santa Barbara.
During the Renaissance period the fortification was first enlarged, with a project overseen by Bellucci who was responsible at that time for redoing the city's entire defense system. Bellucci's work was based on a project by the architect Nanni Unghero (vs19) who had planned a quadrilateral structure with bastions at the four corners and a deep ditch running around the perimeter, with no decoration of any sort. Later Bernardo Buontalenti incorporated this construction into a new bastion connected to the city walls thus giving the fortress the imposing look that it still has today. In all its history the fortress has only undergone one attack, in the mid seventeenth century when the Papal troops attacked Pistoia (s.i.) but were held back by its strong bastions.
At the end of the 1700s the Grand Duke Pietro Leopoldo decided to disarm the fortress as part of his wide program of reform. Although it lost is role as a fortification to defend the city, the Santa Barbara fortress maintained its military function first as a barracks then as a prison and an army administration headquarters. Today important restoration projects are trying to redeem this great city monument from its state of abandonment.

(n.) refers to the number of the file-card (si.) means see information inside

The Barberini Attack of 1643

Alessio Gimignani, The Siege of Pistoia

There are two events that dramatically characterized the history of Pistoia during the 16OOs: the plague of 1630 and,thirteen years later, the attack by Papal troops. Maffeo Barberini, elected Pope in 1643 with the name of Urban VII, was determined to strengthen the Papal State and the prestige of his family. To achieve his ends he did not spare the use of force as was demonstrated in the battle that took place at Pistoia's gates during the war for control over the Duchy of Castro. The Grand Duke of Tuscany had sent troops to aid the Farnese from whorn the duchy had been usurped to the advantage of the Barberini family; as revenge, the Barberini attacked Tuscan lands. The battle of Pistoia on the night of October 3 was brief but bloody and ended in complete victory for the Pistoians who distinguished themselves for their courage. As the chronicles of that time recount, they defended their city without outside aid, thanks to the intercession of the Virgin of Humility and Saint Eulalia. Many pictoral versions of this episode have been preserved among which the battle scene attributed to Alessio Gimignani that hangs today in the Municipal Museum (vs46).


Chronology

1331
1539
1571
1643
1774
1970

The Florentines build the Fortress.
The extension based on Nanni Unghero's project.
Bernardo Buontalenti carries out the extension of the walls.
The attack of the Barberini troops
The Fortress loses its role as a defense structure.
Restoration begins.
 


Bibliography

F. Gurrieri, La fortezza rinascimentale di Santa Barbara a Pistoia, Firenze, 1980

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