The via de' Rossi begins near the gate of Porta
Sant'Andrea which was part of the medieval circle of city walls
(
vs8).The street got its
name from the family that owned most of the buildings in the area
from the thirteenth century on; in fact the crossroads with via
Abbi Pazienza (
s.i.) was called
canto de' Rossi, a
name still used in the city today.
The de' Rossi family's palazzo was built by the architect Raffaello
Ulivi in the mid eighteenth century on an area that had been occupied
by medieval towers. The façade was decorated with richly
elaborate stone elements in keeping with Baroque taste while the
inside, with its wide staircase and frescoed rooms, is a typical
example of an aristocratic residence. Across the street is the palazzo
del Monte Pio whose main façade looks out on the via Abbi.
Pazienza and incorporates a part of the medieval city walls. In
the second half of the 1500s, the Opera della Sapienza (
vs19)
decided to erect a building in order to employ workers in a time
of economic crisis. The construction was already in an advanced
stage when a few years later the Fiorentine architect Bernardo Buontalenti
(
vs9) was hired to continue
with a project of his own. The main façade has a very simple
plan, showing the harmonious style that distinguished Buontalenti's
work. When construction was completed,the building was bought by
the Sozzifanti family who had accumulated considerable wealth during
the sixteenth century. In the mid 1800s the last Sozzifanti descendent
named Carlo Lodovico di Borbone as his heir, and the latter would
later donate the building to the City of Pistoia. In the early twentieth
century the City turned it over to the Monte di Pietà (the public
pawn office) which, after some years, was bought up by the Cassa
di Risparmio (
vs15);the
local savings bank becarne the owner of the palazzo. and its teller
windows are still open for business on the ground floor. Beyond
a walled garden on the via de' Rossi, we find the Oratorio dei Santi
Giusto e Lucia which has been made into a private house. The coat
of arms of the Vergiolesi family who were patrons of this oratory
in the mid-1200s is still visible on the architrave over the main
entrance. The Oratory was consecrated at that time to Saint Luciina
and meetings of the Congrega dei Pagliosi were heid here; Fioravanti
claimed that the congregation got its name from the wine flask,
il paglioso, that each member brought and drank from before meetings.
Maybe it is from the same group that vicolo del Fiasco, the lane
running along the side of the oratory, got its name.
Continuing along towards the Santo Spirito church (
vs37),
we see the church of 5. Michele in Cioncio on the left. Some believe
this name refers to the early existence in the area of some wool
factories called ciompi; others believe it refers to tanneries for
leather which in Pistoia are called concia, The structure of the
church recalls eleventh and twelfth century construction but traces
of earlier origins can be seen in the name of the church as well
as in a fragment of High Medieval decorative sculpture. Changes
made to the building in the seventeenth and eighteenth century have
been removed.
The portal above the doorway once housed the statue of the Archangel
Michael carved by Guido da Como (
vs23).